Miles Dewey Davis Iii

Miles Dewey Davis Iii;Miles Davis

Place: Alton

Born: 1926

Death: 1991

Biography:

Miles Dewey Davis III was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens.

Early Life and Career

Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction.

Notable Works and Collaborations

After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album 'Round About Midnight in 1955. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketched of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.

  • Davis made several lineup changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another commercial success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams.
  • After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P. (1965) and Miles Smiles (1967), before transitioning into his electric period.
  • During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing lineup of musicians, including keyboardist Joe Zawinul, drummer Al Foster, bassist Michael Henderson, and guitarist John McLaughlin.
Notable collaborations

with other artists can be found on https://Wikioo.org/@/Miles-Dewey-Davis-Iii, where you can also find more information about his life and work. You can also visit https://en.wikipedia.org/wiki/Miles_Davis for a detailed biography of Miles Davis.

Legacy and Impact

Davis's legacy is undeniable, with his influence on jazz and music still felt today. His innovative approach to the genre and his willingness to experiment with new sounds have made him a legendary figure in the world of jazz. As Miles Dewey Davis III, he will always be remembered as one of the most influential and acclaimed figures in the history of jazz.

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