Place: Helsingborg
Born: 1944
Biography:
Odd Nerdrum is a Swedish-born, Norwegian figurative painter whose work is held by museums worldwide. Themes and style in Nerdrum's work reference anecdote and narrative. Primary influences by the painters Rembrandt and Caravaggio help place his work in direct conflict with the abstraction and conceptual art considered acceptable in much of his native Norway. Nerdrum creates six to eight paintings a year. They include still life paintings of small, everyday objects (like bricks), portraits and self-portraits, and large paintings allegorical and apocalyptic in nature. The subjects of Nerdrum's paintings are often dressed as if from another time and place.
Nerdrum was born in Sweden to resistance fighters who had fled German occupied Norway during World War II. At the end of the war Nerdrum returned to Norway with his parents. By 1950 Nerdrum's parents had divorced leaving the mother to raise Nerdrum and his younger brother. In 1993, Nerdrum discovered his father was not his biological father; his mother had had a relationship with the architect David Sanfed. Nerdrum was born from this liaison.
Nerdrum was educated in a Rudolph Steiner school and later at the Art Academy of Oslo. Disillusioned with the art form taught at the academy and with modern art in general Nerdrum began to teach himself to paint in a post modern style with Rembrandt and Carravagio as influences. In 1965, he began a several-months study with the German artist Joseph Beuys.
Nerdrum says that his art should be understood as kitsch rather than art as such. On Kitsch, a manifesto composed by Nerdrum, describes the distinction he makes between kitsch and art. Nerdrum's philosophy has spawned The Kitsch Movement among his students and followers, who call themselves kitsch painters rather than artists.
Odd Nerdrum was born in Sweden in 1944. His parents, Resistance fighters, had been sent to Sweden from German-occupied Norway to direct guerrilla activities from outside the country. A year later, at the end of the war, Odd and his parents moved back to Norway. Lillemor, his mother, soon after went to New York to study at the Fashion Institute of Technology. The feeling of being unwanted and abandoned Nerdrum felt at this time would stay with him until he was in his late forties. In 1950, Nerdrum's parents divorced, leaving Nerdrum's mother, Lillemor, to raise two small children, Odd, and his younger brother.
Nerdrum's father, Johan Nerdrum, later remarried. Although he was supportive of Odd, he kept an emotional distance between himself and his son. At his death, Odd was asked not to attend the funeral. He found out three years later that Johan was not his biological father. Odd, was in fact, the result of a liaison between David Sandved and Lillemor. Lillemor and Sandved had had a relationship prior to Lillemor's marriage, and this was resumed during the war in a period when Johan was absent. Richard Vine, art critic, describes this episode in Nerdrum's life as one which created "a conflicted preoccupation with origins and personal identity", that "came natural to Nerdrum" and was represented in his pictures.
Nerdrum began his formal education in 1951 in Oslo, in a private Rudolf Steiner school rather than in the standard, public school system. This education would set Odd apart from his contemporaries. The system was based on anthroposophy that saw mankind as once living in harmony with the universe but now existing in a lesser state of rationality. Through spiritual or esoteric practice, Steiner believed mankind could find its way back to a connection with higher realities and to renewed harmony with the universe. Learning for students was often kinesthetic, for example, through dramatic enactments of history and fantasy, and through musical exercises that were reminiscent of the patterns found on ancient Greek vases, depicting figures moving in parallel patterns. These parallel patterns could be found in later Nerdrum work, as can a sensibility for iconographic images and costume.
Jens Bjørneboe, a grade school mentor said Nerdrum even at that age exhibited tendencies of innate talent and industry, but also impatience with those with less abilities than himself.
Nerdrum began study at the Art Academy of Oslo, but became dissatisfied with the direction of modern art, and began to teach himself how to paint in a Neo Baroque style, with the guidance of Rembrandt's technique and work as a primary influence. Nerdrum had seen Rembrandt's painting, The Conspiracy of Claudius Civilis in the National Museum of Fine Arts in Stockholm. Nerdrum says seeing the painting was "a shock... Pervasive. Like finding home. I can say I found a home in this picture,... The wonderful thing with Rembrandt is the confidence he inspires - like when you warm your hands on a stove. Without Rembrandt I would have been so poor," By abandoning the accepted path of modern art, Nerdrum had placed himself in direct opposition to most aspects of the school, including his primary painting instructor, his fellow students, and a curriculum designed to present Norway as a country with an up-to-date artistic culture. He, in his own words was chased from the academy after a two-year period like a "scroungy mutt". Years later Nerdrum said,
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