Place: Genoa
Born: 1630
Death: 1702
Biography:
Filippo Parodi was an Italian sculptor of the Baroque period, known as 'Genoa's first and greatest native Baroque sculptor'. He was born in Genoa in 1630 and trained in the family workshop, where he developed his facility with wood before transferring his mastery to marble in the 1670s. His two extended sojourns in Rome refined his style, and he joined the studio of Bernini as an assistant from 1655 to 1661.
Filippo Parodi was born into a family of sculptors and was exposed to art from a young age. He developed his skills in wood carving before moving on to marble in the 1670s. His father, Giovanni Battista, was a woodcarver, and Filippo trained in the family workshop. Having developed his facility with wood, he then transferred his mastery to marble.
Filippo Parodi's style is characterized by its elegance and refinement, which can be seen in his most famous works, such as Hyacinth and Immaculate Conception. His sculptures are known for their sensuous and tactile qualities, which enhance the emotional impact. The influence of the Roman Baroque style permeates his early work, and he was influenced by Alessandro Algardi and his pupil Ercole Ferrata.
Some of Filippo Parodi's notable works include:
Filippo Parodi's son, Domenico Parodi, was also a sculptor and worked in the workshop. The workshop produced many religious sculptures, including St. Francis's Ecstasy in the Church of Padre Santo and Vision of St. Pascal Baylon in the church of Santissima Annunziata del Vastato.
Filippo Parodi's works can be found in various museum collections, including the Galleria di Palazzo Reale in Genoa and the National Museum of Fine Arts in La Valletta, Malta. His sculptures are also featured on Wikioo.org, where you can find high-quality reproductions of his works. For more information about Filippo Parodi and his works, you can visit Wikipedia or explore the collections on Wikioo.org.