Suzuki Harunobu

Place: Edo

Born: 1725

Death: 1770

Biography:

Early Life and Influences

Suzuki Harunobu

, a Japanese designer of woodblock print art in the ukiyo-e style, was born in 1725. Little is known about his early life, but it is believed he grew up in Kyoto. His work shows evidence of influences from many artists, including Torii Kiyomitsu, Ishikawa Toyonobu, the Kawamata school, and the Kanō school. However, the strongest influence upon Harunobu was the painter and printmaker Nishikawa Sukenobu, who may have been Harunobu's direct teacher.

Artistic Career

Harunobu began his career in the style of the Torii school, creating many works that were skillful but not innovative. However, with his involvement with a group of literati samurai, he tackled new formats and styles. In 1764, Harunobu was chosen to aid these samurai in their amateur efforts to create e-goyomi (calendars). These calendar prints would be the first nishiki-e (brocade prints), with Harunobu experimenting with better woods for the woodblocks and using more expensive colors.

Notable Works and Innovations

Suzuki Harunobu's "brocade prints" led to full-color production becoming standard, with ten or more blocks used to create each print.
His use of multiple separate woodblocks in the creation of a single image was an innovation that depended on using notches and wedges to hold the paper in place.
Harunobu's prints were popular with the chōnin class, who had become wealthy enough to afford to decorate their homes with them.

Legacy

Suzuki Harunobu's

work was central to forming the West's perception of Japanese art in the late 19th century. His influence can be seen in the landscapes of Hokusai and Hiroshige, which were popularized during the Japonisme trend.