Zhan Wang

Zhan Wang

Place: Beijing

Born: 1962

Biography:

Zhan Wang is a renowned Chinese sculptor, born in 1962 in Beijing. He began his career as an iconoclast with the installation of superrealist figurative sculptures called In a Twinkling (1993). His works include conceptual ideas that are expressed through various art forms such as installations, photography, and video. Many of his ideas pertain to Chinese culture, making him a significant figure in contemporary Chinese art.

Early Life and Education

Zhan Wang's interest in art began at a young age. He received formal art education in 1978 at Beijing Industrial Arts College, where he studied Soviet-style sculpture. Later, he attended the Central Academy of Fine Arts in 1983, studying in the Sculpture Department. After graduating from art school, he became interested in modern sculptors and began to develop his unique style.

Artistic Style and Works

Zhan Wang's style concentrates primarily on abstract forms, which he calls floating stones, also known as scholar rocks. These are large, highly textured rock-like pieces coated in chrome. He began creating this series in 1995, referring to them as Artificial Jiashanshi. The concept of the rock holds a high value in Chinese culture, and Zhan Wang's works explore this idea. His scholar rocks are not only a representation of traditional Chinese culture but also a commentary on modern society. Key Works:

Exhibitions and Recognition

Zhan Wang has been showcased in over 125 exhibits, with 24 solo exhibitions. His work can be found on Wikioo.org, where you can explore his unique sculptures and installations. For more information about Zhan Wang's life and works, visit Wikipedia.

Conclusion

Zhan Wang is a pioneer of contemporary Chinese sculpture, known for his abstract forms and conceptual ideas that explore traditional Chinese culture. His unique style and works have been recognized globally, making him a significant figure in modern art. To learn more about Zhan Wang's art and exhibitions, visit Wikioo.org.

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